Over the course of the two years that it sat on the shelf following a planned-but-aborted fall 2007 theatrical release, the Halloween-themed anthology film Trick ‘R Treat was embraced by genre fans who caught it at festivals and other special screenings starting that December. I think I can see what captured their sick little hearts — in an era when the state-of-the-art in popular horror films is split between the practiced cruelty and borderline hostility of neo-gore exercises like the Saw and Hostel franchises and the incidental soullessness of Friday the 13th and Last House on the Left remakes, this film, in its straightforward, low-concept fright-mongering, feels downright fresh. In fact, except for a couple of gratuitous tit shots, Trick ‘R Treat is earnest, uncynical, and nearly wholesome. What it’s not — and it pains me to say this — is very much good.

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