DVD Traffic Report: April 22, 2024

480_greenlight.gifCharlie Wilson’s War (Universal)

Charlie Wilson’s War is a rare thing—a funny political film, a sexy

history lesson. Director Mike Nichols brings a light comic touch to the

story of the Democratic Texas Congressman (Tom Hanks) with a thing for

the ladies and a soft spot for the Mujahideen in Afghanistan. Julia

Roberts plays the wealthy conservative socialite who convinces Wilson

to orchestrate the covert diversion of hundreds of millions of dollars

to the Afghan rebels in the years following the Soviet invasion in

1979. Neither Hanks nor Roberts is particularly convincing as a Texas

politico, but that’s OK. The film crackles whenever Philip Seymour

Hoffman, playing CIA agent Gust Avrakotos, comes on screen, ripping

mischievously through his sardonic dialogue and bringing everyone

else’s game up a notch. Adapted from a book by the late George Crile,

Aaron Sorkin’s screenplay strongly suggests that

the Congressional failure to help rebuild Afghanistan’s decimated

post-war infrastructure helped make that country an eventual hotbed of

terrorist activity. But what sticks is the criticism of U.S. politics

as essentially a popularity contest, driven by friendships, favors, and

fickle public opinion—a system prone to leave jobs unfinished as they

become unfashionable. Originally published in the White Plains Times.

Buy it from Amazon.com: Charlie Wilson’s War (Widescreen)

Easy Living (Universal)

Preston

Sturges began his career at Paramount in 1937 by writing this

Depression-era-New-York comedy about a wealthy industrialist (Edward

Arnold) known as The Bull of Broad Street, his unhappy son (Ray

Milland) who leaves home to work as a busboy at an automat, and working

girl Mary Smith (Jean Arthur), whose life changes after a

crazy-expensive fur coat chucked off the roof of a Manhattan apartment

building lands on her head. (She turns around, angrily, and demands,

“What’s the big deal anyway?” The turbaned dude behind her

responds, deadpan, “Kismet.” It’s that kind of screenplay.) Turns out

the coat is a powerful status symbol, and Mary soon learns that nothing

attracts wealth as powerfully as, well, more wealth. The no-frills slapstick of director Mitchell

Leisen (an accomplished art director and costume designer) is no substitute for the elegance that Sturges

would later develop helming his own material, but it’s fairly well-tuned for this sophisticated, breezily entertaining farce of

misunderstood identities. And Jean Arthur is terrific. I’m not sure how

good the DVD looks, but it’s got to be better than my VHS copy, which

was recorded from Showtime almost 20 years ago.

Buy it from Amazon.com: Easy Living (Universal Cinema Classics)

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