1998 Top Ten List
By IMDb date: first public screening
- 90/100
- Happiness (Todd Solondz, 1998)
- 89/100
- The Big Lebowski (Joel and Ethan Coen, 1998)
- 87/100
- Shakespeare in Love (John Madden, 1998)
- 86/100
- The Thin Red Line (Terrence Malick, 1998)
- 86/100
- Rushmore (Wes Anderson, 1998)
- 82/100
- Babe: Pig in the City (George Miller, 1998)
- 80/100
- Saving Private Ryan (Steven Spielberg, 1998)
- 79/100
- Bulworth (Warren Beatty, 1998)
- 77/100
- Ronin (John Frankenheimer, 1998)
- 77/100
- Out of Sight (Steven Soderbergh, 1998)
1998 U.S. Releases by Grade
- 95/100
- Hana-bi (Takeshi Kitano, 1997)
- 90/100
- Nil by Mouth (Gary Oldman, 1997)
- 90/100
- Happiness (Todd Solondz, 1998)
- 89/100
- The Big Lebowski (Joel and Ethan Coen, 1998)
- 89/100
- Sonatine (Takeshi Kitano, 1993)
- 87/100
- Shakespeare in Love (John Madden, 1998)
- 86/100
- Rushmore (Wes Anderson, 1998)
- 86/100
- The Thin Red Line (Terrence Malick, 1998)
- 86/100
- Sonatine (Takeshi Kitano, 1993)
- 82/100
- Babe: Pig in the City (George Miller, 1998)
- 80/100
- Saving Private Ryan (Steven Spielberg, 1998)
- 79/100
- Bulworth (Warren Beatty, 1998)
- 77/100
- Ronin (John Frankenheimer, 1998)
- 77/100
- Out of Sight (Steven Soderbergh, 1998)
- 77/100
- The Butcher Boy (Neil Jordan, 1997)
- 76/100
- Fallen Angels (Wong Kar-Wai, 1995)
- 75/100
- Living Out Loud (Richard LaGravenese, 1998)
- 75/100
- Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
- 74/100
- A Bug’s Life (John Lasseter and Andrew Stanton, 1998)
- 72/100
- A Simple Plan (Sam Raimi, 1998)
- 72/100
- Mother and Son (Aleksandr Sokurov, 1997)
- 70/100
- American History X (Tony Kaye, 1998)
- 70/100
- The General (John Boorman, 1998)
- 70/100
- The Truman Show (Peter Weir, 1998)
- 68/100
- Pi (Darren Aronofsky, 1998)
- 68/100
- Enemy of the State (Tony Scott, 1998)
- 66/100
- Twilight (Robert Benton, 1998)
- 65/100
- The Disenchanted (Benoît Jacquot, 1990)
- 65/100
- He Got Game (Spike Lee, 1998)
- 64/100
- The Celebration (Thomas Vinterberg, 1998)
- 63/100
- Halloween H20: 20 Years Later (Steve Miner, 1998)
- 62/100
- Antz (Eric Darnell and Tim Johnson, 1998)
- 62/100
- Slums of Beverly Hills (Tamara Jenkins, 1998)
- 60/100
- Elizabeth (Shekhar Kapur, 1998)
- 60/100
- Life Is Beautiful (Roberto Benigni, 1997)
- 59/100
- The Mask of Zorro (Martin Campbell, 1998)
- 58/100
- Rounders (John Dahl, 1998)
- 58/100
- Wild Things (John McNaughton, 1998)
- 57/100
- Permanent Midnight (David Veloz, 1998)
- 57/100
- There’s Something About Mary (Bobby Farrelly and Peter Farrelly, 1998)
- 56/100
- Rush Hour (Brett Ratner, 1998)
- 56/100
- Henry Fool (Hal Hartley, 1997)
- 55/100
- The X-Files (Rob Bowman, 1998)
- 54/100
- Six Days, Seven Nights (Ivan Reitman, 1998)
- 54/100
- Pleasantville (Gary Ross, 1998)
- 53/100
- Soldier (Paul W.S. Anderson, 1998)
- 53/100
- John Carpenter’s Vampires (John Carpenter, 1998)
- 52/100
- Can’t Hardly Wait (Deborah Kaplan and Harry Elfont, 1998)
- 52/100
- Ever After (Andy Tennant, 1998)
- 52/100
- The Waterboy (Frank Coraci, 1998)
- 52/100
- The Negotiator (F. Gary Gray, 1998)
- 51/100
- Small Soldiers (Joe Dante, 1998)
- 51/100
- Godzilla (Roland Emmerich, 1998)
- 49/100
- Psycho (Gus Van Sant, 1998)
- 49/100
- Live Flesh (Pedro Almodóvar, 1997)
- 48/100
- Snake Eyes (Brian De Palma, 1998)
- 48/100
- Primary Colors (Mike Nichols, 1998)
- 48/100
- Dark City (Alex Proyas, 1998)
- 48/100
- Mighty Joe Young (Ron Underwood, 1998)
- 48/100
- Funny Games (Michael Haneke, 1997)
- 48/100
- Artemisia (Agnès Merlet, 1997)
- 48/100
- Two Girls and a Guy (James Toback, 1997)
- 48/100
- High Art (Lisa Colodenko, 1998)
- 47/100
- Urban Legend (Jamie Blanks, 1998)
- 47/100
- What Dreams May Come (Vincent Ward, 1998)
- 47/100
- Blade (Stephen Norrington, 1998)
- 47/100
- Great Expectations (Alfonso Cuarón, 1998)
- 47/100
- Celebrity (Woody Allen, 1998)
- 47/100
- The Last Big Thing (Dan Zukovic, 1996)
- 46/100
- The Opposite of Sex (Don Roos, 1998)
- 45/100
- Your Friends and Neighbors (Neil LaBute, 1998)
- 45/100
- The Big Hit (Wong Che-Kirk, 1998)
- 44/100
- Wedding Singer, The (Frank Coraci, 1998)
- 44/100
- Suicide Kings (Peter O'Fallon, 1997)
- 42/100
- Sliding Doors (Peter Howitt, 1998)
- 41/100
- Lethal Weapon 4 (Richard Donner, 1998)
- 38/100
- Insomnia (Erik Skjoldbjærg , 1997)
- 35/100
- Seventh Heaven (Benoît Jacquot, 1997)
- 35/100
- Spice World (Bob Spiers, 1998)
- 33/100
- The Siege (Edward Zwick, 1998)
- 33/100
- Lolita (Adrian Lyne, 1997)
- 31/100
- Very Bad Things (Peter Berg, 1998)
- 31/100
- A Perfect Murder (Andrew Davis, 1998)
- 31/100
- City of Angels (Brad Silberling, 1998)
- 30/100
- Waking Ned Devine (Kirk Jones, 1998)
- 29/100
- Dr. Dolittle (Betty Thomas, 1998)
- 28/100
- Replacement Killers, The (Antoine Fuqua, 1998)
- 28/100
- Disturbing Behavior (David Nutter, 1998)
- 28/100
- Burn Hollywood Burn (Arthur Hiller, 1997)
- 25/100
- Fallen (Gregory Hoblit, 1998)
- 24/100
- The Faculty (Robert Rodriguez, 1998)
- 19/100
- Nightwatch (Ole Bornedal, 1997)
- 18/100
- Species II (Peter Medak, 1998)
- 18/100
- Blues Brothers 2000 (John Landis, 1998)
- 15/100
- Lost in Space (Stephen Hopkins, 1998)
- 10/100
- Marie Baie des Anges (Manuel Pradal, 1997)
- 8/100
- Knock Off (Tsui Hark, 1998)
- 8/100
- Deep Impact (Mimi Leder, 1998)
- 5/100
- The Avengers (Jeremiah Chechik, 1998)
1998 U.S. Releases by Title
- 72/100
- A Simple Plan (Sam Raimi, 1998)
- 70/100
- American History X (Tony Kaye, 1998)
- 62/100
- Antz (Eric Darnell and Tim Johnson, 1998)
- 48/100
- Artemisia (Agnès Merlet, 1997)
- 5/100
- The Avengers (Jeremiah Chechik, 1998)
- 82/100
- Babe: Pig in the City (George Miller, 1998)
- 45/100
- The Big Hit (Wong Che-Kirk, 1998)
- 89/100
- The Big Lebowski (Joel and Ethan Coen, 1998)
- 47/100
- Blade (Stephen Norrington, 1998)
- 18/100
- Blues Brothers 2000 (John Landis, 1998)
- 74/100
- A Bug’s Life (John Lasseter and Andrew Stanton, 1998)
- 79/100
- Bulworth (Warren Beatty, 1998)
- 28/100
- Burn Hollywood Burn (Arthur Hiller, 1997)
- 77/100
- The Butcher Boy (Neil Jordan, 1997)
- 52/100
- Can’t Hardly Wait (Deborah Kaplan and Harry Elfont, 1998)
- 64/100
- The Celebration (Thomas Vinterberg, 1998)
- 47/100
- Celebrity (Woody Allen, 1998)
- 31/100
- City of Angels (Brad Silberling, 1998)
- 48/100
- Dark City (Alex Proyas, 1998)
- 8/100
- Deep Impact (Mimi Leder, 1998)
- 65/100
- The Disenchanted (Benoît Jacquot, 1990)
- 28/100
- Disturbing Behavior (David Nutter, 1998)
- 29/100
- Dr. Dolittle (Betty Thomas, 1998)
- 60/100
- Elizabeth (Shekhar Kapur, 1998)
- 68/100
- Enemy of the State (Tony Scott, 1998)
- 52/100
- Ever After (Andy Tennant, 1998)
- 24/100
- The Faculty (Robert Rodriguez, 1998)
- 25/100
- Fallen (Gregory Hoblit, 1998)
- 76/100
- Fallen Angels (Wong Kar-Wai, 1995)
- 75/100
- Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
- 48/100
- Funny Games (Michael Haneke, 1997)
- 70/100
- The General (John Boorman, 1998)
- 51/100
- Godzilla (Roland Emmerich, 1998)
- 47/100
- Great Expectations (Alfonso Cuarón, 1998)
- 63/100
- Halloween H20: 20 Years Later (Steve Miner, 1998)
- 95/100
- Hana-bi (Takeshi Kitano, 1997)
- 90/100
- Happiness (Todd Solondz, 1998)
- 65/100
- He Got Game (Spike Lee, 1998)
- 56/100
- Henry Fool (Hal Hartley, 1997)
- 48/100
- High Art (Lisa Colodenko, 1998)
- 38/100
- Insomnia (Erik Skjoldbjærg , 1997)
- 8/100
- Knock Off (Tsui Hark, 1998)
- 47/100
- The Last Big Thing (Dan Zukovic, 1996)
- 41/100
- Lethal Weapon 4 (Richard Donner, 1998)
- 60/100
- Life Is Beautiful (Roberto Benigni, 1997)
- 49/100
- Live Flesh (Pedro Almodóvar, 1997)
- 75/100
- Living Out Loud (Richard LaGravenese, 1998)
- 33/100
- Lolita (Adrian Lyne, 1997)
- 15/100
- Lost in Space (Stephen Hopkins, 1998)
- 10/100
- Marie Baie des Anges (Manuel Pradal, 1997)
- 59/100
- The Mask of Zorro (Martin Campbell, 1998)
- 48/100
- Mighty Joe Young (Ron Underwood, 1998)
- 72/100
- Mother and Son (Aleksandr Sokurov, 1997)
- 52/100
- The Negotiator (F. Gary Gray, 1998)
- 19/100
- Nightwatch (Ole Bornedal, 1997)
- 90/100
- Nil by Mouth (Gary Oldman, 1997)
- 46/100
- The Opposite of Sex (Don Roos, 1998)
- 77/100
- Out of Sight (Steven Soderbergh, 1998)
- 31/100
- A Perfect Murder (Andrew Davis, 1998)
- 57/100
- Permanent Midnight (David Veloz, 1998)
- 68/100
- Pi (Darren Aronofsky, 1998)
- 54/100
- Pleasantville (Gary Ross, 1998)
- 48/100
- Primary Colors (Mike Nichols, 1998)
- 49/100
- Psycho (Gus Van Sant, 1998)
- 28/100
- Replacement Killers, The (Antoine Fuqua, 1998)
- 77/100
- Ronin (John Frankenheimer, 1998)
- 58/100
- Rounders (John Dahl, 1998)
- 56/100
- Rush Hour (Brett Ratner, 1998)
- 86/100
- Rushmore (Wes Anderson, 1998)
- 80/100
- Saving Private Ryan (Steven Spielberg, 1998)
- 35/100
- Seventh Heaven (Benoît Jacquot, 1997)
- 87/100
- Shakespeare in Love (John Madden, 1998)
- 33/100
- The Siege (Edward Zwick, 1998)
- 54/100
- Six Days, Seven Nights (Ivan Reitman, 1998)
- 42/100
- Sliding Doors (Peter Howitt, 1998)
- 62/100
- Slums of Beverly Hills (Tamara Jenkins, 1998)
- 51/100
- Small Soldiers (Joe Dante, 1998)
- 48/100
- Snake Eyes (Brian De Palma, 1998)
- 53/100
- Soldier (Paul W.S. Anderson, 1998)
- 86/100
- Sonatine (Takeshi Kitano, 1993)
- 89/100
- Sonatine (Takeshi Kitano, 1993)
- 18/100
- Species II (Peter Medak, 1998)
- 35/100
- Spice World (Bob Spiers, 1998)
- 44/100
- Suicide Kings (Peter O'Fallon, 1997)
- 57/100
- There’s Something About Mary (Bobby Farrelly and Peter Farrelly, 1998)
- 86/100
- The Thin Red Line (Terrence Malick, 1998)
- 70/100
- The Truman Show (Peter Weir, 1998)
- 66/100
- Twilight (Robert Benton, 1998)
- 48/100
- Two Girls and a Guy (James Toback, 1997)
- 47/100
- Urban Legend (Jamie Blanks, 1998)
- 53/100
- John Carpenter’s Vampires (John Carpenter, 1998)
- 31/100
- Very Bad Things (Peter Berg, 1998)
- 30/100
- Waking Ned Devine (Kirk Jones, 1998)
- 52/100
- The Waterboy (Frank Coraci, 1998)
- 44/100
- Wedding Singer, The (Frank Coraci, 1998)
- 47/100
- What Dreams May Come (Vincent Ward, 1998)
- 58/100
- Wild Things (John McNaughton, 1998)
- 55/100
- The X-Files (Rob Bowman, 1998)
- 45/100
- Your Friends and Neighbors (Neil LaBute, 1998)