Well, the writers’ strike is on. And as tempting as it is to pontificate on the role of the director as the real authorial voice in filmmaking, or to suggest various roads to amiable compromise, I have to say go writers. That screenwriters are still being compensated for video sales at a compromise rate agreed to when home-video was still a rental market seems unjust to me, given the profitability of DVD sales — and demands for royalties on Internet-distributed content that outpace what they originally got for VHS are morally defensible from a won’t-get-fooled-again standpoint if nothing else. It seems disingenuous to suggest that the content industry won’t be able to monetize the freaking Internet. (See Jon Stewart, above.) Big Corporate versus Organized Labor — this is how the system is supposed to work.