After the final reel of Exotica had unspooled, like a slender key filling the last hole in a wooden puzzlebox, a woman at the New York Film Festival screening last year had a question for director Atom Egoyan. She wanted to know what happened at the end of the movie. Visibly perturbed at the question, Egoyan dodged it. Heads craned as the woman pressed for his answer. She explained that she had seen each of Egoyan’s previous films, had enjoyed them tremendously; it was just this film, she said, this was the one that she didn’t “get.” Finally, Egoyan gave in and answered her question. Here is what the last scene in the film meant, he explained, his four- or five-word declamation a stark and numbing negation of the gentle, almost languid spirit of the film, which invites the audience to its own discovery. The “what happened” is simple enough to explain, but you can’t really understand it unless you’re fully caught up in the cinema when it unfolds in front of you.