Nikkatsu Noir: Eclipse (Criterion) Series 17

Nikkatsu Noir
The latest addition to Criterion’s budget-priced and barebones Eclipse line-up is this boxed set of five films from a cycle of tough-minded crime dramas that enjoyed popularity in post-WWII Japan. Little-seen in the U.S., this group of films as a whole probably benefits from Japanese settings and attitudes that bring a sense of freshness, even exoticism, to straightforward genre exercises. But the films are entertaining and engrossing on their own terms, and, more than that, they paint an interesting picture of a culture in a generational transition and, perhaps, a bit of an identity crisis — they’re clearly derivative of American film noir and French crime films of the period. And the best ones in the set — for my money, Seijun Suzuki’s Take Aim at the Police Van and Takashi Nomura’s A Colt Is My Passport (pictured at top) — hold their own against any crime film of the period. Together, they provide a sketch, in necessarily broad strokes, of a key period in the development of the popular Japanese cinema. Nikkatsu Noir
is a terrific collection.

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