The pre-Code Waterloo Bridge doesn’t boast early Barbara Stanwyck, but it’s a lot more fun than Baby Face. And auteurists may suspect the reason why — the man behind the camera was no less a heavyweight than James Whale. Granted, when he made Waterloo Bridge he was not yet the James Whale — but it’s said that when he finished this one his studio bosses at Universal were so impressed they gave him the run of the studio to select his next film, and of course he opted to make Frankenstein, casting his Waterloo star Mae Clarke as Elizabeth and working again with ace D.P. Arthur Edeson, who would go on to shoot They Drive By Night, The Maltese Falcon, and Casablanca.