The Boston neighborhood of Charlestown, a series of pre-title cards inform us, is a fundamentally miserable but also beloved place, a rough-and-tumble environment where bank robbery has become a cottage industry. The Town is the story of bank robbers, and of the dilemma experienced by the people — Townies, they’re called, affectionately and not-so — who dwell in a place they love, and from which they’re desperate to escape.
The old razzle-dazzle is back with the release of Ocean’s Thirteen, a third outing in the star-anchored caper franchise. It returns to the neon glow and slot-machine jangle of Las Vegas, where aptly named entrepreneur Willy Bank (Al Pacino) is bilking his erstwhile partners out of their fair share in his new hotel/casino venture, and Danny Ocean (George Clooney) and crew are scheming to take Bank down. To call the ensuing plotline “highly improbable” would be paying it an enormous compliment. It’s ludicrous, contrived, and borderline crazy. Of course, that’s almost completely irrelevant with this cast. Clooney’s great talent is putting on an air of seriousness that suggests he doesn’t know how good he looks doing it. Matt Damon selflessly casts aside movie-star ego and spends most of his screen time wearing a gigantic fake schnozz to gentle comic effect. Brad Pitt remains completely and spectacularly chilled out for the duration. Best of all, director Steven Soderbergh’s camera takes it all in with jazzy, unburdened élan, zipping easily from character to character. Don’t expect an engaging or absorbing heist yarn. But of the summer sequels released so far, it’s easily the least complicated and most entertaining—and probably the smartest.