Ghost in the Shell

85/100

Ghost in the Shell is a cop movie about robots with human souls. It’s science-fiction about the human rights of artificial intelligence. And it’s a fantasy about a sexy cyborg who knows how to use a gun. It’s all of those things, and it’s a disquisition on human consciousness, a meditation on urban loneliness, and also, maybe, a poem about unrequited love. It’s extraordinary.

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Spirited Away

Spirited AwayIn spite of my own tendencies, I’ve come to regard films with a cult following with some suspicion. As personal and extraordinary as many of them are, others seem to have gathered fans up in a single-throated horde like the unthinking masses heading to a fundamentalist rally or a Bon Jovi concert. The European horror genre, for instance, which is regarded with great fervor by a significant population of cinephiles, is home to a number of wonderful films, but also some of the grandest, most misogynist and misanthropic howlers ever committed to celluloid. Japanese anime is another one, a niche market of films that are regarded very highly by some very smart people but has largely failed to excite my interest, despite good-faith efforts to see highly lauded examples of the form in the movie theaters where they belong.

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