Last Year at Marienbad [L'Annee Derniere a
Marienbad] (1961)
If nothing else, you can test your tolerance for the old-style
European "art film" by watching this. Visually, it’s stunning,
with geometrical checkerboard landscapes, painted shadows, and
beguiling tracking shots that seem to last for minutes on end
(thanks to cinematographer Sacha Vierny).
Conceptually, it’s a mind-bender that represents important
breakthroughs in cinematic representations of psychology. A
woman and a man, named 'A' and 'M,' are vacationing when
they're approached by 'X.' X claims to A that he first met her
last year at a spa called Marienbad, where the two of them fell
in love and she promised to run away with him if he could wait
a year. A claims to remember nothing of the kind. Writer Alain
Robbe-Grillet said he figures X was lying. Director Alain
Resnais, on the other hand, said he worked under the assumption
that X tells the truth, and A has forgotten him. The movie
itself is puzzling and contradictory, a self-conscious work
that seems only half-remembered even as it wills itself into
being on the screen.
Science Fiction, Fantasy and
Otherwise: 10 Hypnotic Film Experiences
DEEP FOCUS
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Reviews by Bryant Frazer bryant@deep-focus.com