The Vanishing

78/100
Bernard-Pierre Donnadieu and Johanna ter Steege in The Vanishing

What scares you the most? If you chew on that question for a while, then imagine a narrative that gets you to that terrible place, your story might be a little like the one in The Vanishing. Completed in 1988, this downbeat thriller didn’t make it to the U.S. until a couple of years later, when it coincidentally landed in New York within weeks of The Silence of the Lambs. The Vanishing isn’t, strictly speaking, a serial-killer movie like Silence, but it shares that film’s deep interest in the psychopathology of its villain. Like a good (and by “good,” I mean “lurid”) true crime book, its interest is similarly piqued by the painful, quotidian details of an abhorrent crime.


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